this cloud, this crust, this doubt, this dust
produced as an MFA thesis exhibition at Concordia University
photo credits: B. Brookbank
accompanying text available here
this
cloud, this crust, this doubt, this dust is an exhibition of work about my obsession with
Virginia Woolf, her novels, and her home. It consists of:
𐫱
swallows
in the window, which signify and do not signify this show the same way as the
swallows in Between the Acts signify and do not signify the stage of an
outdoor play
𐫱
two
drawings of Virginia, one where she is overexposed and unrecognizable and one
where she is underexposed and unrecognizable
𐫱
a
privacy screen for kissing made from woven skies – from her garden and from
films she inspired
and one for lying down
𐫱
two
staged fireplaces, vaguely different, containing screenshots from Orlando, lithographs
of swans, and a single teacup seen in dozens of tourist photos, wedged between
glass and propped up on a water-rounded brick
𐫱
quilts
smocked and holding a growing collection of her novels, found in second-hand
stores (and one published by Hogarth Press)
𐫱
fly
traps with captured spotted lantern flies, collected in New Jersey, as an
homage to academics, who must point out that The Waves was originally
titled The Moths
𐫱
a
drawing of tulips (out of season) based on flowers that a man spliced and his
wife painted
𐫱
a
copy of Mrs. Dalloway where every flower is marked with a flower